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	<title>Comments on: Vertical (Not Necessarily Sideways)</title>
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	<link>http://wineeconomist.com/2011/01/10/vertical-not-necessarily-sideways/</link>
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		<title>By: Mike Veseth</title>
		<link>http://wineeconomist.com/2011/01/10/vertical-not-necessarily-sideways/#comment-3368</link>
		<dc:creator><![CDATA[Mike Veseth]]></dc:creator>
		<pubDate>Thu, 29 Dec 2011 21:11:24 +0000</pubDate>
		<guid isPermaLink="false">http://wineeconomist.com/?p=3190#comment-3368</guid>
		<description><![CDATA[Miles and Maya meet in Vertical, but nothing blooms. Sorry to disappoint you! Of course, the film (if there is one) could be different.]]></description>
		<content:encoded><![CDATA[<p>Miles and Maya meet in Vertical, but nothing blooms. Sorry to disappoint you! Of course, the film (if there is one) could be different.</p>
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		<title>By: Barry Acker</title>
		<link>http://wineeconomist.com/2011/01/10/vertical-not-necessarily-sideways/#comment-3366</link>
		<dc:creator><![CDATA[Barry Acker]]></dc:creator>
		<pubDate>Thu, 29 Dec 2011 20:56:29 +0000</pubDate>
		<guid isPermaLink="false">http://wineeconomist.com/?p=3190#comment-3366</guid>
		<description><![CDATA[in the new movie, will the relationship with Miles and Maya &#039;bloom&#039;? 
the scene where Miles gets the phone message from Maya, and his subsequent trip to her garage apartment and the knock on the door leaves so many hopeful possibilities]]></description>
		<content:encoded><![CDATA[<p>in the new movie, will the relationship with Miles and Maya &#8216;bloom&#8217;?<br />
the scene where Miles gets the phone message from Maya, and his subsequent trip to her garage apartment and the knock on the door leaves so many hopeful possibilities</p>
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		<title>By: Mike Veseth</title>
		<link>http://wineeconomist.com/2011/01/10/vertical-not-necessarily-sideways/#comment-2035</link>
		<dc:creator><![CDATA[Mike Veseth]]></dc:creator>
		<pubDate>Fri, 04 Feb 2011 13:31:04 +0000</pubDate>
		<guid isPermaLink="false">http://wineeconomist.com/?p=3190#comment-2035</guid>
		<description><![CDATA[I agree with your assessment, Dennis. I focused on the film because that&#039;s what set off the phenomenon. I suspect that people will buy the new book based on their experience with the film, not the original novel.]]></description>
		<content:encoded><![CDATA[<p>I agree with your assessment, Dennis. I focused on the film because that&#8217;s what set off the phenomenon. I suspect that people will buy the new book based on their experience with the film, not the original novel.</p>
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		<title>By: Dennis Schaefer</title>
		<link>http://wineeconomist.com/2011/01/10/vertical-not-necessarily-sideways/#comment-2019</link>
		<dc:creator><![CDATA[Dennis Schaefer]]></dc:creator>
		<pubDate>Fri, 04 Feb 2011 05:43:24 +0000</pubDate>
		<guid isPermaLink="false">http://wineeconomist.com/?p=3190#comment-2019</guid>
		<description><![CDATA[Mike, did you actually read &quot;Sideways,&quot; the novel? It was poorly written, for a number of reasons I won&#039;t detail here. Director Alexander Payne saw the seed of something bigger and more profound in the book and then he took those themes to a more coherent and interesting level. I suspect &quot;Vertical&quot; is more of the same, only more profane and then switched to different venues for the sake of variety.]]></description>
		<content:encoded><![CDATA[<p>Mike, did you actually read &#8220;Sideways,&#8221; the novel? It was poorly written, for a number of reasons I won&#8217;t detail here. Director Alexander Payne saw the seed of something bigger and more profound in the book and then he took those themes to a more coherent and interesting level. I suspect &#8220;Vertical&#8221; is more of the same, only more profane and then switched to different venues for the sake of variety.</p>
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		<title>By: Andrew</title>
		<link>http://wineeconomist.com/2011/01/10/vertical-not-necessarily-sideways/#comment-1948</link>
		<dc:creator><![CDATA[Andrew]]></dc:creator>
		<pubDate>Wed, 12 Jan 2011 02:21:45 +0000</pubDate>
		<guid isPermaLink="false">http://wineeconomist.com/?p=3190#comment-1948</guid>
		<description><![CDATA[I saw an enormous change in pinot noir in San Francisco. I was repping at the time and a wholesale case of excellent napa merlot went from $360 to $144 and I still could not move it. but I could move an unbalanced pinot from ventura with out them tasting it or trusting my word that they &#039;needed&#039; to taste it. The entire market changed here and I see it in Pittsburgh, Pa (Wine Mecca) in each and every restaurant including friends in the state run wine industry. I think it still has a profound effect today. I too did not run out to see the movie; friends rented it and forced me to watch it - and it was entertaining even though it had little to do with wine.]]></description>
		<content:encoded><![CDATA[<p>I saw an enormous change in pinot noir in San Francisco. I was repping at the time and a wholesale case of excellent napa merlot went from $360 to $144 and I still could not move it. but I could move an unbalanced pinot from ventura with out them tasting it or trusting my word that they &#8216;needed&#8217; to taste it. The entire market changed here and I see it in Pittsburgh, Pa (Wine Mecca) in each and every restaurant including friends in the state run wine industry. I think it still has a profound effect today. I too did not run out to see the movie; friends rented it and forced me to watch it &#8211; and it was entertaining even though it had little to do with wine.</p>
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		<title>By: Mike Veseth</title>
		<link>http://wineeconomist.com/2011/01/10/vertical-not-necessarily-sideways/#comment-1945</link>
		<dc:creator><![CDATA[Mike Veseth]]></dc:creator>
		<pubDate>Tue, 11 Jan 2011 18:25:13 +0000</pubDate>
		<guid isPermaLink="false">http://wineeconomist.com/?p=3190#comment-1945</guid>
		<description><![CDATA[I&#039;ve already watched the film, Blake, so it is too late to help me, but others will benefit from reading your blog post. Thanks!
(P.S. One of my students used a clip from the film as the basis for a popular culture presentation to her Japanese class.)]]></description>
		<content:encoded><![CDATA[<p>I&#8217;ve already watched the film, Blake, so it is too late to help me, but others will benefit from reading your blog post. Thanks!<br />
(P.S. One of my students used a clip from the film as the basis for a popular culture presentation to her Japanese class.)</p>
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		<title>By: Blake Gray</title>
		<link>http://wineeconomist.com/2011/01/10/vertical-not-necessarily-sideways/#comment-1944</link>
		<dc:creator><![CDATA[Blake Gray]]></dc:creator>
		<pubDate>Tue, 11 Jan 2011 18:19:59 +0000</pubDate>
		<guid isPermaLink="false">http://wineeconomist.com/?p=3190#comment-1944</guid>
		<description><![CDATA[Mike: I suffered through the entire Japanese version of &quot;Sideways&quot; so you don&#039;t have to. I posted a blow-by-blow here:

http://wblakegray.blogspot.com/2009/09/sideways-gets-lost-in-translation.html

There wasn&#039;t a &quot;Sideways effect&quot; in Japan because the movie made wine intimidating. But anyway, read the post, you&#039;ll see what I mean.]]></description>
		<content:encoded><![CDATA[<p>Mike: I suffered through the entire Japanese version of &#8220;Sideways&#8221; so you don&#8217;t have to. I posted a blow-by-blow here:</p>
<p><a href="http://wblakegray.blogspot.com/2009/09/sideways-gets-lost-in-translation.html" rel="nofollow">http://wblakegray.blogspot.com/2009/09/sideways-gets-lost-in-translation.html</a></p>
<p>There wasn&#8217;t a &#8220;Sideways effect&#8221; in Japan because the movie made wine intimidating. But anyway, read the post, you&#8217;ll see what I mean.</p>
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		<title>By: Mike Veseth</title>
		<link>http://wineeconomist.com/2011/01/10/vertical-not-necessarily-sideways/#comment-1938</link>
		<dc:creator><![CDATA[Mike Veseth]]></dc:creator>
		<pubDate>Mon, 10 Jan 2011 20:48:11 +0000</pubDate>
		<guid isPermaLink="false">http://wineeconomist.com/?p=3190#comment-1938</guid>
		<description><![CDATA[I heard that they did some &quot;location&quot; scouting in Oregon this summer, but I do not know if there is serious interest in a film.]]></description>
		<content:encoded><![CDATA[<p>I heard that they did some &#8220;location&#8221; scouting in Oregon this summer, but I do not know if there is serious interest in a film.</p>
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		<title>By: Alex</title>
		<link>http://wineeconomist.com/2011/01/10/vertical-not-necessarily-sideways/#comment-1937</link>
		<dc:creator><![CDATA[Alex]]></dc:creator>
		<pubDate>Mon, 10 Jan 2011 20:44:20 +0000</pubDate>
		<guid isPermaLink="false">http://wineeconomist.com/?p=3190#comment-1937</guid>
		<description><![CDATA[So we won&#039;t see a sideways (movie) sequel any time soon right?]]></description>
		<content:encoded><![CDATA[<p>So we won&#8217;t see a sideways (movie) sequel any time soon right?</p>
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	<item>
		<title>By: Mike Veseth</title>
		<link>http://wineeconomist.com/2011/01/10/vertical-not-necessarily-sideways/#comment-1935</link>
		<dc:creator><![CDATA[Mike Veseth]]></dc:creator>
		<pubDate>Mon, 10 Jan 2011 18:37:47 +0000</pubDate>
		<guid isPermaLink="false">http://wineeconomist.com/?p=3190#comment-1935</guid>
		<description><![CDATA[Thanks for commenting!
I agree that the small base of Pinot buyers (then and now) magnified the Sideways Effect.
Bottle Shock annoyed me because many of my friends assumed that it was a true account of the Judgment of Paris, which it certainly was not! But it was a fun movie.]]></description>
		<content:encoded><![CDATA[<p>Thanks for commenting!<br />
I agree that the small base of Pinot buyers (then and now) magnified the Sideways Effect.<br />
Bottle Shock annoyed me because many of my friends assumed that it was a true account of the Judgment of Paris, which it certainly was not! But it was a fun movie.</p>
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