Uncorking the Hidden Diversity of the Sparkling Wine Category

The sparkling wine category has been one of the wine market’s winners of the last 20 years. Although sparkling wine sales are struggling right now along with the rest of the wine market, bubbles are much more of a thing than they were in years past.

Much of this success is driven by Italy’s Prosecco, which in many ways redefined sparkling wine. If you think of bubbles as French and expensive, saved for ritual consumption at serious celebrations, then Prosecco is a revelation. Bubbles can be fun and suitable for all occasions, both serious and frivolous. Hard to resist!

More to Sparkling Wine

But there is much more to sparkling wine than the European Big Three: Champagne, Prosecco, and Cava. There are dozens of other sparkling wines in France, Italy, and Spain and around the world. Sparkling wine production is diverse both geographically and in terms of wine grape varieties used and methods employed.

It is a shame, really, that all these very different sparkling wines from so many places tend to be lumped all together in the “sparkling wine” section of the wine wall. They all look pretty much the same as you stare at them. What’s the difference? A lot! It’s time to uncork the diversity of sparkling wine today and appreciate what an opportunity it is to explore the world of bubbles.

Here are a few examples of sparkling wines that we have enjoyed. What ties them together? Bubbles, of course, but they were all also both delicious and surprising. Feel free to use the comments section below to tell us about your own recent discoveries.

Enchanting New Mexico

Most people don’t think of New Mexico when they think about wine, so they are surprised to learn that the state has a small but active wine industry and positively shocked to learn that wine was first produced in 1629, nearly 400 years ago.

New Mexico is especially know for sparkling wine because of the Gruet Winery, which was founded in 1984 by members of the Gruet family, producers of sparkling wine in a place called Champagne (you might have heard of it!).

Sue and I were recently introduced to wines from the Vara Winery & Distillery in Albuquerque. Our first taste was the Vara New Mexico Sparkling Brut 2023, which was made by winemaker Laurent Gruet using the traditional method and a unique blend of grapes: 72% Chenin Blanc 18% Listan Prieto 10% Pinot Meunier. Listan Prieto? It is a very old Iberian grape variety that came to Mexico (and then New Mexico) early on. It goes by many names, but you might know it as the Mission grape. It is just my imagination, I know, but I think it gives the wine both flavor and a sense of history.

The wine was declicous and distinctive.  Many of the Vara wines are made with grapes from California and Washington State because New Mexico just doesn’t grow enough grapes to meet the demands of local wineries.

Bubbles from Wine’s Birthplace

Sparkling wines from Georgia and Armenia? Probably not the first thing you think of. Georgia is better know for its traditional still qvervi wines and Armenia is better knows for its excellent brandy. But the sparkling wines are there and worth seeking out.

We’ve recently sampled Pet-Nat sparkling wines from Georgia’s Mtsvane Estate. The sparkling Saperavi was stunningly beautiful and delicious. It is joined by a Pet-Nat blend of 70% Chinuri and 30% Goruli Mtsvane.

Meanwhile Armenia’s wine industry is returning to its roots, as has been documented recently in the film SOMM: Cup of Salvation. We have been serving Keush sparkling wines made with indigenous grapes including Areni and Voskehat to our surprised and delighted friends.

Shiraz and Grenache?

We are always interested in trying sparkling wines made with unexpected grape varieties. There was a memorable sparkling Riesling at our very first Open That Bottle Night dinner, for example.  And a visit to Rockford winery in the Barossa Valley gave us an opportunity to try a sparkling Shiraz so good it has achieved cult status among wine lovers Down Under.

The latest addition to our growing list is a Cava Brut Rosé from Dibon made from Garnacha grapes. Garnacha (a.k.a. Grenache) is such a versatile wine grape, so it is great to taste a sparkling version.

Southern Comfort

Have you tried many sparkling wines from Southern Hemisphere producers? There are lots of sparkling wines produced south of the equator, but you might have not find them on your local store shelves.

The French have clearly known about the Southern Hemisphere’s potential for a long time. Chandon Argentina was founded in 1956 and Chandon Australia was established in the Yarra Valley in 1986. The wines are made in the same way using the pretty much the same grape varieties that Chandon uses in France, California, and China, but have their own personality.

Cool climate Tasmania is a natural fit for sparkling wine production and a wine we sampled a couple of years ago from House Arras was one of the most distinctive and delicous sparkling wines we have had in a long time.

Chile has such a tremendous range of terroirs that it makes sense that it would produce sparkling wine, too, but I don’t remember drinking one … until now! We recently received a traditional method Carmen Brut Nature from the Limari Valley. Very excited to pop the cork.

I’ll finish this intentionally incomplete survey with Brazil. Most people don’t associate Brazil with wine, much less sparkling wine, but that’s a mistake. Brazil attracted immigrants from many wine-producing countries (Portugal, Italy, Germany, and more) and they brought both a love of wine and the ability to make it with them when they arrived.

The second Brazilian wine we ever tried was a Prosecco-style sparkling wine made by the Aurora winery, Brazil’s largest wine cooperative. It was as refreshing as it was surprising.  (The first Brazilian wine was a Marcus James Zinfandel, which was for several years a a popular brand of wines sourced from Brazil.)

If you are interested in trying a Brazilian sparkling wine, look for a brand called Bom Dia (that’s good day in Portuguese). Bom Dia Brazilian Bubbles are canned sparkling wines and, although they have only been on the market since 2024, they are already getting attention. The brand has been nominated for Wine Enthusiast’s Innovator of the Year award.

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I have only scratched the surface of the world of sparkling wine. Looking for a project for the holiday season? See how many different and interesting sparkling wines you can find and pull some corks. You won’t regret it.

Designer Wine Glasses (and their Discontents)

Today’s Wine Economist column is inspired by sample wine glasses we received from the folks at Glasvin. Glasvin makes all sorts of hand-blown glassware, but the particular products they sent us were designed by Raj Parr, the famous sommelier, author, and winemaker. Our experience with these wine glasses has made us think a bit about what we want in and what we think about wine glasses generally. Here’s the story.

One Glass to Rule Them All?

The Raj glass was designed to be the one glass you need for wine. There are several universal glass designs on the market, some of them created by wine celebrities. We tried the glass when it arrived a couple of years ago and had mixed emotions about it. It was light and delicate, a thing of beauty: largish bowl, shortish stem, sort of like a tall snifter. Click here to see a video about the Raj glass.

Here’s what Glasvin said about the design:

    • Designed to taste and drink all wines – young and old, sparkling, white, pink, red and orange – objectively and expressively.
    • Designed to have a wide, snifter-like bowl that tapers to a narrow rim, for the purest expression of the vine.
    • The unique shape brings a wine’s aromas and texture into focus as they travel through the bowl.
    • The narrow rim drops the wine perfectly on the tip of the tongue. With a shorter stem (1.5”) and lower center of gravity, the RAJ Glass will stay upright, so you can move around the cellar, your kitchen while cooking, or get comfortable at home.

Interesting for wine tasting, we decided, but not what we wanted from wine drinking because it seemed to draw our attention more to the glass than the wine. And the short stem wasn’t always easy for us to grasp. We set them aside in the glass cabinet and have rarely used them. We liked the idea of these elegant glasses but, as the video explains, they just weren’t designed with us in mind.

A Daily Drinker?

Then earlier this summer we received a set of the new Parr glasses (shown below), which are part of the Glasvin GV Home collection. Still light and beautiful, these glasses are meant for daily use by a broader audience than the Raj glasses.

The Glasvin design literature had this description:

    • Designed in collaboration with Raj Parr
    • Part of the GV Home collection, Glasvin’s durable, elevated glassware line.
    • A universal bowl that highlights aroma, texture, and balance
    • Slightly thicker glass for increased durability
    • Handblown, lead-free, dishwasher safe

The Raj and Parr glasses are much alike to the casual observer, with largish bowl and narrow rim to concentrate aromas, but the Parr’s stem is a bit longer, which makes it easier to pick up and hold. Sue and I enjoyed using these, but still felt like they somehow drew our attention away from the wines as much as they enhanced them. They come out of the cabinet occasionally these days (mainly for white wines for some reason), but they haven’t become our daily drinkers.

De Gustibus Non Est Disputandum

Is the problem the glasses? Or is it us? To try to find out the answer to this question we invited two seasoned Wine Economist research assistants to lunch and had them try out the glasses throughout the meal. Their reaction was completely different. They loved the jewel-like qualities of the light glasses and thought they enjoyed the wine experience.

I found an informative video on the Glasvin website where Raj Parr explains exactly what he wanted to create with the Parr glass. You can view it here along with more information about the glass series. You and I might not be looking for the same things in a wine glass as Raj Parr, but no doubt it is useful to have someone so focused and passionate doing this work.

I guess wine glasses, like many things in the wine space, are a matter of taste and we should welcome a diversity of options. To each his (or her) own! Sue and I seem to use different types of glasses in different situations. Sometimes we break out the INAO tasting glasses, for example, and sometimes (pizza night!) we use simple juice glasses to drink our Costco-sourced Portuguese Red Blend wine.

Barriers to Entry

A problem with wine glasses, however, is that sometimes they can be one more barrier to entry for new consumers. Wine already has many disadvantages for anyone starting out. It usually comes in inconveniently large packaging that often requires special equipment (corkscrew) to access. There is a lot of waste (cork, capsule, bottle) that isn’t always easy to recycle. You are supposed to drink it at certain temperatures with certain foods.

And then there are the glasses. You need specialized glasses that you hold in a certain way and taste in a prescribed pattern. Yes, I know that it is all part of the mystery and romance of wine and I actually love the rituals as much as anyone. But I don’t blame the young person we met recently who, when faced with all these complications, just turned and walked away.

So two cheers for designer wine glasses like the Raj and the Parr that elevate the wine experience for the enthusiasts who like them. In fact, we seem to have added the Parr glasses to our regular rotation for white wines and Sue commented a couple of days ago that they were kind of growing on her.

But give a cheer, too, for rustic juice glasses (and other simple drinking vessels) that give pleasure to many and might present one less barrier to wine newbies.

Wine Industry Uncertainty 2025 Update

Nine months ago today, The Wine Economist published its annual column that, inspired by the upcoming Unified Wine & Grape Symposium, looks ahead to the future. The theme was sort of anti-climactic at the time, but it seems pretty much on the mark at this point: the future of wine is always uncertain, but 2025 is special. There are more unknowns and even unknown unknowns than ever before.

Frozen by Doubt

That’s a problem because fear, uncertainty, and doubt tend to freeze businesses in their tracks. It’s hard to know what to do, so the tendency is to wait until the smoke clears. The air is still far from clear both for the wine market generally (see this recent Wine Economist report) and for key international variables.

Many predicted that the dramatic increase in tariffs would lead to higher retail prices and this has happened to a certain extent. However, many firms have delayed raising prices until they know for sure what the tariff rates will be and which products and countries will be exempt. U.S. tariff policy has changed course several times and there is no assurance that the tariffs in place on the day you sign a contract will be the same ones in force when the shipment arrives and payment is due.

The Pasta War?

There was a surge in wine imports prior to tariffs coming into force. Now it seems to be wait and see because the situation could change yet again. Just last week, for example, we learned about the 107% “pasta war” tariffs that the U.S. threatens to impose on Barilla and some other Italian pasta makers. Thirteen Italian producers are accused of “dumping” pasta in the U.S. market and will be subject to a 92% pasta tariff on top of the existing 15% “reciprocol” tariff. The Financial Times reports that the import taxes will go into effect in January, so you might want to stock up.

Wine. Pasta. What next? I have no idea.

November is an important month in this regard because that’s when the Supreme Court hears arguments on whether the tariffs that apply to wine were legally imposed. Sectoral tariffs (steel, aluminum) may be legal, but general tariffs such as those that apply to wine may have been incorrectly applied, with unclear consequences. For what it is worth, the Economist newspaper’s AI-powered SCOTUSbot predicts that the broad tariffs (including wine) will stick.

In the meantime retaliation against U.S. products in foreign markets continues. The loss of much of the Canadian market for U.S. wine is especially damaging as Canada was the #1 export market. Wine’s problems mirror in a small way the situation of much of U.S. agriculture, which is heavily focused on exports. There is talk of $10 billion in federal aid to farmers to offset some of the negative effects, but I don’t know if any of this is earmarked for winegrape producers.

Dollar Dilemma

Uncertainty permeates other economic variables. The dollar has fallen this year, for example, when many thought it would rise. The logic (see below) was that tariffs would increase inflation and force the Federal Reserve to raise interest rates. The inflation has been less than expected so far, but the economy seems to be weakening. The Fed is now lowering interest rates, accepting the risk of higher inflation in order to reduce the chances of slower or negative growth.

Inflation or unemployment? That’s a lot to worry about. But there’s more. But what will happen in the future if, as the Treasury Secretary has suggested, the U.S. does “whatever it takes” to support Argentina’s economy and its tenuous debt situation? I don’t have an answer to that question. More uncertainty!

The list of uncertain factors goes on and on. Here’s the original article from earlier this year.

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2025: Wine & the Age of Uncertainty

The Wine Economist / January 14, 2025

The Unified Wine & Grape Symposium, North America’s largest wine industry meeting and trade show, is only a few weeks away. I will be in Sacramento to moderate the State of the Industry session, which features an impressive lineup of wine industry experts:

  • Jeff Bitter, Allied Grape Growers
  • Glenn Proctor, The Ciatti Company
  • Stephen Rannekleiv, Rabobank
  • Danny Brager, Brager Beverage Alcohol Consulting

The panelists have decades of experience in the wine industry, which informs their analysis of current problems and future prospects. It is a tremendous opportunity to hear what the experts are thinking now and to talk about it with the other attendees.

There are many other sessions at the Unified covering all sorts of topics in winegrowing, winemaking, marketing, and business operations. I am particularly interested in the Thursday general session on Crafting a Positive Narrative: Promoting Wine in the Face of Challenges, which will be moderated by New York Times wine critic Eric Asimov. One of the biggest challenges, of course, is the rising anti-alcohol movement. Telling wine’s positive story is as difficult as it is important in the current environment.

There is something for everyone at the Unified (click here to view the complete program and click here to read the speaker bios). Sue especially appreciates the big trade show where more than 900 exhibitors will highlight what’s new in the wine industry from the biggest machines, smartest technology, and best products and services from vineyard to cellar to bottling line all the way to market.

Always the Age of Uncertainty?

I always start the State of the Industry session with a few remarks to set the stage and this year I have chosen a theme, the Age of Uncertainty. This is a time of great change in the wine industry and change makes people nervous.

Age of Uncertainty? I know what you are thinking. It is always the Age of Uncertainty in the wine business. Growing grapes is risky, making wine is risky, and selling wine is risky. There is no part of the wine business that does not have an uncertain component. Wine is a global business, too, and while global markets create opportunities they also introduce additional layers of risk.

I specialize in international and global wine markets, so I am especially concerned with how international economic policies add more layers of uncertainty to wine business today. We have been told to expect high tariffs (on wine and just about everything else) in 2025. Depending upon how they are structured, and how our trading partners react to them, tariffs can have a number of direct and indirect effects.  There’s a lot at stake and the final outcome is difficult to predict.

Indeed, the International Monetary Fund recently identified the threat of tariffs as a major global economic concern. The possibility of tariffs has driven up long-term borrowing costs around the world, according to the IMF, which will release its new report on the global economy later this week.

And this week’s Economist newspaper highlights uncertainty about tariffs and other policies as a main cause of global instability.

It is easy to see why uncertainty has spread. Will Donald Trump deport millions of people? Nobody knows. But if he succeeds inflation could jump as employers lose workers. The story is similar for tariffs, which would also increase prices. At the same time, potential Chinese counter-measures in a trade war, such as a devaluation of the yuan, could prompt a global deflationary shock.

The rising perceived risk, according to the Economist, helps explain falling bond prices, rising mortgage interest rates, and many other current trends. They say that what you don’t know won’t hurt you, but uncertainty clearly has a cost.

Not by Wine Alone

I know many people who think a tariff on imported wine would benefit American growers and producers and others who strongly oppose the idea. But it is important to remember that we aren’t talking about tariffs just on wine. Although it is hard to know right now (that uncertainty thing), it looks like the new administration will impose tariffs on most imported products from many or most of our trading partners, with the highest tax rates on China, Mexico, and Canada, the countries with whom we trade the most.

Border taxes on such a long list of imports have different effects than a tax on a specific product category like wine. That’s part of the uncertainty problem. U.S. producers may gain from protection from imports but lose from higher costs for imported supplies, equipment, and technology. Labor costs, interest costs, and insurance costs would all likely be pushed higher by rising inflation.

And U.S. tariffs aren’t the end of the story. How will other countries react? Will European nations retaliate with tariffs on U.S. wine? Probably not. I think they’d focus on spirits, not wine. Would Canada target U.S. wine? Yes, I think they might and that’s a problem because Canada is a good market for U.S. wine exports.

The  Dollar Also Rises

President Trump favors a falling dollar value on foreign exchange markets because that would reinforce his trade policy by discouraging imports and promoting exports. But tariffs tend to push the dollar higher as we have seen since the election results were announced. The dollar’s value rises when it sounds like tariffs will be used as a blunt weapon to keep out imports. The dollar falls, however, when the rhetoric suggests tariffs as targeted strategic tools to gain specific concessions. Which way will tariff policy lean in 2025? I don’t know, do you?

How are tariffs and the dollar related? Here’s one way. Tariffs tend to increase inflation, which forces the Federal Reserve to keep interest rates higher than they otherwise would be. This attracts foreign capital that boosts the dollar’s value, making imports cheaper in dollar terms and U.S. exports less competitive abroad.

Immigrant policies are the third element of the Age of Uncertainty for wine in my analysis. It is too soon to know how border controls and deportations might affect labor both generally and in industries such as agriculture and construction that are most exposed. So wine’s Age of Uncertainty is a complicated matter. What’s the bottom line? I’m saving that for the State of the Industry session.

Galbraith’s Uncertainty Principle

Why did I choose this theme for my remarks? The idea was inspired by an old book that strikes me as still relevant today. The Age of Uncertainty is the title of a 1977 BBC/KCTS television series and an accompanying book by the distinguished Harvard economist John Kenneth Galbraith. The book and videos, which survey two hundred years of economic history and the history of economics, were timed to coincide with the 200th anniversary of Adam Smith’s Wealth of Nations.

People tend to remember Galbraith as the sophisticated author, public intellectual, and Harvard professor that he became, but his personal story is more complicated. He grew up on his family’s small Ontario farm and seemed set for a farming career, graduating from Ontario Agricultural College in 1931. But the 1930s were not the best of times for farming and Galbraith soon found himself doing PhD studies in agricultural economics at the University of California and then working for the U.S. federal government’s Agricultural Adjustment Agency (AAA) trying to prop up farm prices.

I don’t think that wine is mentioned even once in Galbraith’s book, but his agricultural background and experiences are easy to trace. The world has changed a lot in the almost 50 years since The Age of Uncertainty first appeared (and nearly 250 years since Wealth of Nations), but American winegrowers and agriculture generally can certainly relate to Galbraith’s story and the concerns he expressed in this book.

Three Cheers for Saperavi and Georgia’s Wine Market Miracle

This column is inspired by a recent birthday celebration dinner that featured three very different Saperavi wines from Georgia.

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Mariam invited us to a dinner celebrating her husband Todd’s birthday and we accepted with enthusiasm, offering to bring some Georgian wines with us. Mariam is originally from Georgia, so her dinners often feature dishes you’d find at a Georgian supra feast. Sue and I were happy to share Georgian wines, but we had a selfish hidden motive. We wanted to see what our fellow guests would think about the wines.

The guest list was diverse in terms of wine experience. Mariam and Todd knew Georgian wines very well, of course. Several guests were knowledgable wine enthusiasts, but had never tasted Georgian wines. Saperavi? Is that a grape or a region or a brand? And the rest were novices, intrigued by the opportunity, and willing to try something new.

Three Faces of Saperavi

Sue and I brought three Georgian wines we had received as samples. The sparkling  Mtsvane Estate Pet Nat Saperavi Rosé was beautiful in the glass and delicious on the palate, with nice acidity and great balance. Everyone enjoyed this wine, but Todd’s reaction was the most memorable. One taste and he knew where he’d had that wine before. At their wedding in Georgia. It was not just a special wine but also a memory of a special day. And, of course, it was a completely different idea of Saperavi. A great beginning.

The other two wines we brought to the party were alike (both were Saperavi wines), but also different. We wondered what our friends would think of them. One, the Dugladze Saperavi Qvevri, was made in the traditional Georgian way, fermented and agerd in qvevri clay vessels buried in the ground with only the lip of the vessel in view. This is a very old way of making wine which has been rediscovered and put into use around the world in different forms.

The final wine, a Schuchmann Saperavi, is a modern take on Georgian wine, fermented and aged in stainless steel to preserve aromas and fruit. Sue and I visited the Schuchmann winery when we were in Georgia for a wine tourism conference several years ago. We were confident that this wine would please the guests. But how would it compare to the other wines?

Of course the wines paired well with Mariam’s Georgian-style feast. What was surprising was the reaction to the wines. As Sue noted the next day, everyone embraced the wines and enjoyed them (which doesn’t always happen with unfamiliar wines or even familiar ones), but in different ways. One novice was fascinated by the Dugladze and Schuchmann wines because they were the same but also so different. She tasted them again and again.

Sue appreciated the qvevri wines, but was drawn to the clean stainless steel Saperavi best. What nice fruit and balance! Who wouldn’t enjoy this wine? I was drawn to the qvevri wine as often happened when we were in Georgia. I find a certain energy in some of these wines that really appeals to me.

Georgia’s Wine Market Miracle

Conclusions? The sample size, both in terms of drinkers and wines, is too small to allow much generalization, but it is hard not to be impressed with these wines and Georgia’s progress.

Saperavi may be Georgia’s best known wine grape variety, but it is certainly not the only one or even, depending upon whom you ask, the best. Saperavi is to Georgia what Malbec is to Argentina, the relatively easy-to-pronounce signature grape variety that is both an advantage in breaking into new markets and a liability because it can over-shadow other options like a delicious semi-sweet red Kartuli Marani Kindzmarauli and a dry white Akido Kisi.

To Saperavi and Beyond

We had an opportunity to taste both these wines a week after the birthday party gathering. Todd’s brother missed the party because he was fishing in Ketchikan and we were invited back to share the Coho salmon he caught there. What a treat!

White wines are actually more popular in Georgia than red wines (and are gaining share on reds in the overall market here in the U.S.). And sweetish reds are a large market segment here, too, even if they don’t get a lot of publicity. Lots of potential for Georgian wines.

The Kisi was a perfect match for the Coho baked under a layer of caramelized sweet onions. The Kindzmarauli was juicy and grapey and paired nicely with everything, but was is “semi-sweet?” As we know from our Riesling tastings, sweetness is very subjective, but Sue says that this wine is so well-balanced that she’d call it off-dry, not semi-sweet. In any case it was a hit with both Mariam (it reminded her of her Georgian home) and Todd (it was the taste of the first wine he was served on his first trip to Georgia).

Random Walk in Tbilisi?

You are unlikely to stumble upon Georgian wines like these on a random walk through your upscale supermarket’s wine aisle, but imports of Georgian wine have been growing in recent years. I searched the inventory of my local Total Wine & More store, for example, and I was surprised to find 37 different Georgia wine SKUs. That is sort of a miracle when you think about it. Red, white, and qvevri amber. Dry and semi-sweet. Easy to pronounce Saperavi and more challenging grape variety, region, and style names, too.

How does Georgia compare to other “Cradle of Wine” countries in terms of their Total Wine footprint. Armenia, which has been making great strides recently, has only two wines on my local Total Wine shelf, both made with the Areni grape variety which is easy to pronounce and also makes delicious wines. I could not find any wines from Turkey, which also has a very long wine history.

Three cheers for Saperavi, Georgia, and its wine market miracle. And best wishes for success navigating the uncertain waters ahead.

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I mentioned Turkey in the article above for three reasons. First, because, of course, it shares a place in wine history with Georgia and Armenia. Second, because Sue and I have a little experience with Turkish wines and appreciate their potential in the U.S. market. The third reason is that I have been reading a review copy of Mehtap Emmie Turan’s book Turkish Wine: Past, Present, and Future of Viticulture in TurkiyeThe book examines the land, the grapes, and the wines as you would expect, but I especially appreciate the attention to history, culture, politics, and business challenges. It made me realize that, while Turkey and Georgia are different in very important ways, they also share certain challenges. Perhaps Georgia’s success will inspire the Turkish wine sector. Fingers crossed.