Adventures on the China-Spain Wine Trail

The Spanish edition of Cynthia Howson and Pierre Ly’s 2020 book Adventures on the China Wine Trail has just been published by Tolosa Wine Books.

Aventuras en la Ruta del Vino de China

Aventuras en la Ruta del Vino de China is a first-person account of the natural, social, political, and economic forces that shaped the Chinese wine industry and the people who made it all happen. I have always thought of it as the perfect complement to Suzanne Mustacichi’s 2015 best-seller Thirsty Dragon.

Why a Spanish edition of Adventures on the China Wine Trail?  I think part of it was personal, which aligns very well with the way that Howson and Ly tell the Chinese wine story. They met Spanish publisher Lluis Tolosa when they were all in China for the Gourmand International Awards ceremonies. He saw an opening for a book that would help Spanish readers understand the Chinese market and the forces driving wine there. Tolosa tells the story in his prologue to the Spanish edition.

Spanish Wine Goes to China

Spain is the third largest producer of wine in the world and is often the largest exporter by volume. Bulk wine sales to other European countries make up much of the trade. Spain ranks #4 on the China wine import table behind France, Chile, and Italy. (Australia ranked higher in this list before China imposed prohibitive tariffs on Aussie wine.)

Spanish producers were early entrants into China and have been key in the growth of that market.  Torres China, for example, was founded in 1997 and today imports into China and distributes more than 400 wines from 13 countries including, of course, the wine of Familia Torres but also a list of iconic brands from Spain and around the world.

The giant Spanish wine producer Felix Solis was another early entrant to the Chinese market.  It established the Shanghai Félix Solís Winery Corporation in 1998 and, if I can trust my memory, boldly built a facility to accommodate bulk wine imports that was an important factor in the expansion of Spanish wine in China.

Although the Chinese wine market has receded from the peaks of the pre-covid boom years, it remains an important opportunity for Spanish producers in a wine world where opportunities are not thick on the ground.

A Celebration of China and Spain

We wanted to celebrate the China-Spain wine trail with Cynthia and Pierre, but how? Their January 2024 book tour will include stops in many regions of Spain, including Rioja. Sue and I proposed a dinner pairing some Rioja wines we’ve been saving for a good occasion with a Chinese dinner. The pairing makes sense since the Rioja industry was jump-started by French winemakers looking for red wines to replace the Bordeaux wines that were lost to phylloxera. And, of course, China and Bordeaux have a longstanding friendship. Connect the dots and Rioja to China it is!

Pierre and Cynthia prepared some of their favorite dishes from their trips to China and opened a delightful Grace Vineyards traditional method Angelina Brut Reserve 100% Chardonnay sparkling wine from the 2009 vintage. Grace Vineyards is one of China’s top producers and its wines never disappoint.

Sue and I provided the Spanish connection with two Rioja wines: a Marques de Murrieta Finca Ygay Rioja Reserva and Ramon Bilbaos Mirto. We chose the wines to represent two sides of Rioja today. The Finca Ygay is a traditional blend of four grape varieties, with Tempranillo in the lead with 80 percent. The Mirto, on the other hand, is 100 percent Tempranillo.

When Sue and I visited Rioja a few years ago we found that some winemakers were excited to make 100% varietal Rioja wines while others favored a traditional approach. I don’t think we found a consensus in Rioja any more than you might find one in, say, Chianti today about the merits of 100% Sangiovese.

Both Rioja wines paired well with our Chinese meal. Sue likes the rounder Marques de Murrieta best with an eggplant dish and the more structured Ramon Bilbao Mirto with pork belly. The bright acidity of both wines made them easy to pair with the rich Chinese cuisine. It is easy to understand why Spanish wines like these would be popular in China. And Spanish consumers might want to experiment with Chinese-inspired tapas, for example, to match up with their fine wines. China and Spain. Mix and match!

Adventures on the Spain-China wine trail.

Pierre will be in Spain in January to promote the new book and to inform Spanish audiences about the development of the Chinese wine industry. There will be events at bookstores and universities, but the one that I wish I could attend will be at the Marques de Atrio winery.

Why is this particular event so interesting? Because the Spanish winery is owned by ChangYu Pioneer Wine Company, one of China’s most important producers. ChangYu saw the potential for Spanish wine in China and so acquired this historic winery.  The Spain-China wine trail is real and Aventuras en la Ruta del Vino de China is a perfect way to begin to understand it.

Non-Alcoholic Wine and the “Second Glass” Test

Sue and I hadn’t given much thought to non-alcoholic wine (NA wine) for a while but then we read Florence Fabricant’s NY Times article on “8 Non-Acoholic Wines for the Thanksgiving Table” and we knew we had to take another look at this growing category.

The “Second Glass” Test

There are more and more wines in the “No and Low” alcohol category and when we have occasionally tried one or two we have been disappointed. Although we’ve had a sense that the quality is rising along with demand, nothing really passed the “second glass” test.  I might be OK with a glass of one of the NA wines we’d sampled if I needed to avoid alcohol for some reason (designated driver role, for example, or a prescription drug issue), but I probably wouldn’t ask for a second glass.

I’d probably choose an NA beer over an NA wine. NA beers have made big strides. Both imports and domestic products like the ones from Athletic Brewing are high on my list. They taste good, remind me of the kind of beer they are made to represent, and cost about the same as the real thing. I’d be happy to accept a second glass. That’s what we are looking for in NA wine, too.

Journey to NA-ville

Fabricant’s column in hand, we made our way to the local big box beverage superstore and asked for directions to the NA wine section. We were led to the opposite side of the store to a section where all of the NA products (beer, wine, spirits) were on display. There were more NA wines on the shelf than I had imagined, many of them fruit-flavored. Since NA products are regulated as food, not booze, they all had full nutritional information and ingredient lists, so calories, carb counts, and additives were easily identified.

We found one of Fabricant’s recommendations on a lower shelf, the Giesen NA Pinot Grigio from New Zealand, and bought that along with the Giesen NA Sauvignon Blanc. Both wines were mixtures of de-alcoholized wine and a bit of grape juice and some other ingredients. I suspect the juice adds some body that is lost in the de-alcoholization process. We know and respect this producer (and even visited the winery a few years ago), so we were interested in how they would stand up to our tests.

The Giesen wines were better than the NA wines I remembered from past experiments (easy to see why they’ve become so popular), but for me, they didn’t pass the “second glass” test. They tasted fine and cost about the same as the regular Giesen wines, but they didn’t really remind me of Pinot Grigio or Sauvignon Blanc.  But, a step in the right direction.

JØYUS Discovery

Then, by happy coincidence, we received a sample bottle of JØYUS NA sparkling wine. Sue had speculated that sparkling NA wine might be the right direction based, in part, on our experiments with canned wine; she was right. The bubbly wine tasted very good, reminded us of sparkling wine (and not sparkling cider), and at less than $30 per bottle it was priced between Prosecco and Champagne and so in the range you might expect for sparkling wine.

The main ingredients are de-alcoholized wine, water, white grape juice concentrate, natural flavors, and carbon dioxide (to make the bubbles). By the numbers: 30 calories and 6 grams of carbohydrates per 8-ounce serving. (Eight ounces? Yes. Remember that this is a non-alcoholic beverage so larger serving sizes apply.)

Seattle-based  JØYUS makes other varieties of NA wines, both still and sparkling, including a Cabernet Sauvignon. The wine we tasted won best-in-category at the Sunset magazine competition.  Because it is non-alcoholic and regulated as food not booze,  JØYUS is available through Amazon.com!

So 2023 ends on a bright note for NA wine. There are NA wines out there that pass the “second glass” test after all, we just have to find them and hope that the list will grow. New Year’s “cheers” to wine (and NA wine) lovers everywhere.

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Many of my friends insisted that they would never drink an NA wine. But they are only partly correct. A lot of them have been drinking partially non-alcoholic wine for years.

Alcohol levels have been rising along with vineyard temperatures and it is one of the wine industry’s open secrets (along with the use of Mega-Purple to deepen wine colors) that they have been forced to take action to bring high abv down.

A common practice is to take some of the wine, de-alcoholize it, and blend it back in to get to the desired alcohol level. This is better than the dark art of adding “Jesus units” (water) to the fermenting wine to accomplish the same. I guess water is the ultimate NA beverage, isn’t it?

Wine & Chocolate? The Chocolate Moonshine Challenge

This is a report of our recent experiment pairing various Chocolate Moonshine truffles and fudge (which are not alcoholic despite the name) with different wines. Chocolate Moonshine takes its name from its early days when they made the fudge in the basement of their Pittsburgh-area home. The steaming copper pots so reminded neighbors of copper stills that they called it moonshine fudge. The name stuck along with the nickname of “America’s Favorite Fudge.”

We didn’t set out to explore the world of chocolate and wine pairings, but it has been a delicious journey. Here is the backstory.

We were approached last summer by Rogue Creamery with a proposal to try various wine and cheese (mainly blue cheese) pairings and the exercise proved a spectacular success as reported on The Wine Economist when we mixed and matched the cheeses with some outstanding wines from the El Dorado AVA. The wines made the cheese taste better and more distinctive. The cheeses really brought out some interesting things in the wine. And there were a couple of those magical moments that wine and food pairings so often promise but seldom deliver.

The folks at Chocolate Moonshine proposed a variation on the tasting theme with several of their chocolate treats and some general pairing guidelines. Armed with chocolate, wines, and instructions, Sue and I assembled a group of “usual suspect” research assistants on the Sunday after Thanksgiving and got to work on the Chocolate Moonshine challenge.

Here is a list of the Chocolate Moonshine treats, the general wine recommendations provided by Chocolate Moonshine, and the specific wines we picked for the experiment

  • Farmer’s Market Truffle Collection + Prosecco / Zonin Extra Dy Prosecco DOC
  • Belgian Chocolate Fudge + Pinot Noir /  Kirkland Signature Russian River Valley Pinot Noir 2022
  • Dark Espresso Fudge + Cabernet Sauvignon / Substance CS Columbia Valley Cabernet Sauvignon 2021
  • Belgian Chocolate Walnut Fudge + Tawny Port / Kirkland Signature 10-year-old Tawny Port
  • French Vanilla Fudge + Moscato d’Asti / Terrenostre Spatuss Mosato d’Asti DOCG 2022

Tasting and Results

The tasting was very successful and, combined with the Rogue Creamery experiment a few months ago, has created an enthusiasm for adventures of this sort. What did we learn? The wines and the chocolates were all great on their own, but what about the pairings? I think our gang of usual suspects came away with a lot of specific conclusions and one general observation.

The over-arching theme, as Sue put it, is balance. Wine pairing works when the components together achieve a balance (or in some bases a certain tension) that neither had in the same way on its own. That makes sense, doesn’t it? This is about the balance idea in terms of other successful food pairings such as peanut butter and jelly or Oreo cookies and milk.

Richard, for example, smiled with his first taste of the hazelnut chocolate truffle and Zonin Prosecco. The sparkling wine’s effervescence balanced the rich creaminess of the truffle and brought out its flavor. The chocolate and Prosecco pairing was high on just about everyone’s list, as was the classic combination of Belgian chocolate walnut fudge and Tawny Port. Port likes both chocolate and nuts and they like Port back.

Chloe had a complicated reaction to the chocolate fudge and Pinot Noir pairing. She really liked the fudge and she really liked the Pinot, so having them together made her smile. But did they make magic together? Not so clear. Maybe the balance wasn’t right.

That was the story of the Cabernet Sauvignon and espresso fudge pairing. I think everyone thought that this was a great idea, but the balance wasn’t quite right with this particular combination. Either the Cab needed to be more intense to stand up to the espresso fudge or the fudge needed to be dialed down a notch to better balance the Cabernet (which, it must be said, was nicely balanced on its own, as were all the wines). The idea works, everyone, agreed, but more work is needed to fine-tune the details.

Pairing Power Takeaways

Perhaps the best example of pairing power was the vanilla fudge and Moscato d’Asti. Several people found each of them a bit sweet on their own, but pretty interesting when enjoyed together. Everyone agreed that the Chocolate Moonshine truffles and fudge were delicious and especially creamy, which made them a great partner for the wines we tasted.

We need to explore the topic of wine pairings in more depth. It occurs to me that a tasting like this would be a good way to introduce young people to wine by linking it to something familiar and delicious.

But I think the fact that we tasted in a small group setting made a difference. Water keeps us apart, I like to say, but wine brings us together. And sharing what we think and feel about wine and chocolate was a great way for us to connect with friends and to begin our holiday season.

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Thanks to Chocolate Moonshine for inviting us to take up this challenge!

Wine, Globalization, and the End of History

I have been thinking a lot recently about how much things have changed since the 1990s and what the future might look like in this light. The event that has provoked this unexpected thoughtfulness is the upcoming Unified Wine & Grape Symposium, which will be the 30th edition of what has become North America’s largest wine industry gathering.

A Golden Age?

Looking back at the program for the first Unified, it is clear that the American wine industry was worried about the future. It must have seemed like obstacles and headwinds were all around. Problems in the vineyards. Rising foreign competition. And concerns about both government regulation and uncertain consumer demand. One session was titled “Who Isn’t Drinking Wine and Why.” That’s a question we are asking again today.

Looking back it is easy to appreciate these concerns (because they never really go away). What folks back then didn’t realize, however, is that they were in some ways at the start of a wine industry golden age. Baby boomers were entering peak wine-buying years. The economy was growing, fueling the rising interest in wine. The “French paradox” infused popular culture with the idea that wine (especially red wine) was actually good for you because of its role in the healthful Mediterranean diet. Wine made you feel good, it was good for you, and you could afford to drink it. What could be better?

Things have changed a lot since the 1990s and some of those changes contribute to the challenges that the industry confronts today (and that we will strive to address at Unified 2024).

The Globalization Effect

This makes me think about other ways the world (and the wine world) have changed over these 30 years. Globalization was gaining speed in the 1990s, for example. It was controversial (think NAFTA debates and the Seattle WTO meeting riots), but eventually (when China joined the WTO, for example) it was seen by many as an inevitable tide, an irresistible force.

No one thinks globalization is inevitable anymore. The Global Financial Crisis made investors aware of the risks of international market contagion. The supply-chain disruptions of the COVID era made “nearshoring” an awkward but understandable concept. And now political tensions and uncertainties have driven “friendshoring” trends.

Economic globalization hasn’t collapsed. But it is different. Globalization was a powerful force in wine in the 1990s, too, as patterns of production and consumption around the world shifted and international wine trade volumes rose. They kept rising, too, as the graph above (taken from the most recent OIV global wine report) shows, until about 15 years ago, when the volume of wine exchanged across borders reached a plateau. (Click here for a pdf of the OIV report).

The value of the international wine trade has continued to rise, as the graph below shows, due to the general premiumization trend. The pattern of global wine trade has changed, too, both in terms of shipping patterns (think the sharp Australia-China shifts) and the commodity composition of shipments (packaged goods versus bulk wine, for example).

The End of History Effect

One of the forces that powered economic globalization was the collapse of Communism, which opened up a world of trading and investment opportunities. We called it “The End of History” after the famous book by Francis Fukuyama. History was ideological conflict, Fukuyama argued, which was all over. The liberal order was the only story left to tell.

Wine had its own “End of History” in the 1990s, although it understandably got less attention. The history of wine was defined, more or less, by Old World notions of appellations and terroir. Burgundy was Burgundy and Pinot Noir made anywhere else wasn’t the same. Ditto for Bordeaux and Cabernet Sauvignon.  New World producers might purloin Old World titles to market their wines (remember Gallo Hearty Burgundy?), but no one was fooled.

Jancis Robinson’s 1995 BBC television wine series was an important part of the movement to rewrite wine history. She didn’t organize her tour of world wine as you might expect — Burgundy, Bordeaux, the Rhone, the Loire. She sorted things by grape variety — Pinot Noir, Cabernet, Syrah/Shiraz, Sauvignon Blanc — and featured New World wines and producers alongside familiar Old World names.

Not everyone was convinced that the new history was valid. My favorite scene was where Robinson poured a glass of New World Pinot Noir and asked a famous Burgundy producer what she thought. The winemaker scowled at her glass and proclaimed that Oregon shouldn’t make something like this. They should find their own terroir, she said, invoking that mystical French phrase almost like a curse. Oregon on the same stage as Burgundy? It’s like the end of history. What next?

However, the curse was cast in the opposite direction. Not for the most famous names of Burgundy and Bordeaux, but for producers with less well-known names from less-recognized appellations. The fact that they were defined by their place turned out to be a disadvantage in the global wine world where grape variety was the new lingua franca. ( I am smiling at the irony of this phrase even as I type it.)

The baby boomer consumers that everyone was chasing didn’t grow up understanding appellations, but they rather quickly came to understand grape variety and to define their wine world that way. Thus the wines of emerging global powers New Zealand and Argentina became known for their signature grape varieties more than the particular regions that grew them. No one asked if France or Italy had a signature grape variety (a good thing, because they obviously don’t). But other regions asked the question themselves and decided that the lack of a grape of their own was all that was holding them back.

The End of History in terms of ideological conflict hasn’t exactly worked out. Old divisions have reemerged and new ones have arisen. There is plenty of conflict to go around and history endures.

History has returned to the wine world, too. Wine defined by grape variety was the great leveler and helped open up the world to wine. But today, with the market at a plateau, product differentiation is the name of the game, and claiming terroir is one strategy. AVAs are popping up all over in response.

Golden Age Worries

The golden age of the 1990s didn’t last for wine, but that’s how golden ages work. What’s interesting is that the golden age was already upon us before we realized it (and ended before we knew it, too).

I wonder what’s ahead for wine? My friend Kenneth Boulding used to say that history doesn’t repeat itself, but sometimes it stutters. Something to think about! Another golden age? Hard to see how the stars could align to make that happen. But I don’t think many people saw that golden age on the horizon either.